Well it's been hard to be attentive to posting whilst trying to work and facing eviction soon from my home and work place of 30 years. I will pay homage to an amazing building, home and community here another time especially as I realised how much my work has been influenced by this environment.
I like watching the great tits nesting in our courtyard, I hope they
won't be affected by gentrification and get squeezed out like us. But if
they do it's probably easier for them to re-home themselves than us.
These guys use this urn every spring and you hear the chicks go wild
when the parent goes in with food.
I adore London, it's home for many decades but I really despair that it will become like Manhattan or Hong Kong: corporate and sterile. Soon there will be no affordable workspace for artists anywhere, no industrial yards, no curious unkempt corners, it will all be capitalised.
So I enjoy the light filtering through our stairwells and courtyards whilst I can. I will miss it terribly. We did fight very hard to stay and after 3 visits to court and meeting some grown ups I hope never to have to deal with again I hope I never have cause to attend court ever again.
Making chandeliers makes me feel normal, I pick up the pliers join a few things and all feels right with the world or better; I must be lucky to have found something like that. There are so many rewards, like having my work hang over a Ron Arad table, even reflected in it. This article almost slipped by me but a friend saved it. The lovely house that I made this for was featured in the Times recently.
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